| Curriculum Vitae Wolschlager |
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Education & Training: 2009 Creative Impulse – Workshop held by Keith Cunningham 2008 ÖSB Consulting – UGP – various Trainings in the field of Business Administration 2007 Genres: Thriller, Romantic & Personal Drama, workshop held by Phil Parker 2006 The Creative Matrix, workshop held by Phil Parker Script Development for Script Consultants and Producers, workshop held by Dagmar Benke 2005 Storytelling with Several Main Characters, scriptwriting workshop held by Dagmar Benke (with project) Inhouse Seminar held by Dagmar Benke: Dramaturgy and Script Development, Script Consultants and Producers Creativity Access, workshop for writers and script consultants held by Keith Cunningham (Masterschool Drehbuch Berlin) Film Marketing Workshop (Strategics, Luxembourg) 2003 Step by Step, scriptwriting workshop (as producer with project) 2002 EAVE (as producer with project) 2001 Script Writing Workshop held by Mogens Rukov (Drehbuchforum/Vienna Film Academy) SOURCES2, scriptwriting workshop (writer with project) Script Writing Workshop held by Hilde Berger, (Drehbuchforum Wien) 1995 Three-month scholarship to study at the RGGU Russian State University for Humanities, Moscow 1992-96 Studied Slavic Studies, Theatre and Film/Electronic Media at Vienna University Studied at Vienna Film Academy as external student Graduated in Film and Humanities (two-year program leading to diploma)1991 High school graduation as external student 1975-1987 Waldorf School, Linz
Languages: Russian and English (fluent), basic knowledge of Italian, Bosnian/Croatian/Serbian
A son, born in 1999 Professional Career: While at school, external high school graduation and studying, a wide variety of temporary jobs including assistant surveyor, competition staff, interpreter, translator, waitress, confectioner, ice cream seller, assistant at children's camp, assistant in senior citizens' home, choral singer, removal assistant, private mathematics tutor, University tutor, and considerable experience in the conception and organisation of film events such as documentary matinees, congresses and theme-related film festivals. Since 1995 freelance activities in the film industry, at first predominantly on the organisational side, but since 2000 increasingly concerned with creative activities including, most recently, scriptwriting. From 2004 to 2007 with Lotus-Film GmbH, responsible for script development, dramatic consultancy, packaging, submissions and financing of Austrian projects and international co-productions. Founded Witcraft Szenario OG together with Robert Buchschwenter in 2008, acting in the areas of script development/dramatic consultancy/producing. Numerous jury work, including in the project commission of the Austrian Film Institute. Script consultant in various Screenwriting Workshop programs, such as ‘Diverse Geschichten’, ‘Babylon’ and UNIDO’S ‘Cinematic and Entrepreneurial Motivation Awards (CEMA)’. Development of film children’s educational programs for the Austrian Film Museum.
Filmography (Selection) As Writer: 2008 Gangster Girls, documentary ⎪ directed by Tina Leisch ⎪ concept and production together with Tina Leisch Premiered at Viennale 2008 ⎪ Vienna Film Prize: Special Mention In Development: Njanka, (working title) feature film screenplay ⎪ together with Razvan Radulescu Transit, (working title) feature film screenplay ⎪ Carl Mayer Young Writer’s Award ⎪ Scholarship by Sources2
As Script Consultant ⎪Associate or Development Producer: In production: American Passages , documentary ⎪ written and directed by Ruth Beckermann
2009 Winds of Sand ⎪ Women of Rock , documentary ⎪ written and directed by Nathalie Borgers ⎪ Lotus Film ⎪ Puzan International Film Festival (Nov. 2009) Contact High, feature film directed by Michael Glawogger ⎪ Screenplay: Michael Ostrowski /Michael Glawogger ⎪ Lotus-Film Vaterspiel (Kill Daddy Good Night) feature film written and directed by Michael Glawogger, based on a novel by Josef Haslinger ⎪ Lotus-Film ⎪ International Berlin Film Festival ⎪ Panorama Spezial 2008 42 plus feature film ⎪ written and directed by Sabine Derflinger ⎪ (Dor-Film) nominated for the Max Ophüls Prize ⎪ opening film of Diagonale 2008 2007 Freigesprochen (Free to Leave) feature film ⎪ written and directed by Peter Payer ⎪ (Lotus-Film) International Filmfestival Locarno ⎪ Competition ⎪ Young Jury Prize ⎪ Best Script Award at Milan Film Festival 2005 Slumming, feature film ⎪ directed by Michael Glawogger ⎪ Lotus-Film International Berlin Film Festival ⎪ Competition ⎪ Thomas Pluch Script Award ⎪ Sabam Prize for Best Script (Ghent)
In Development: Die Vaterlosen (working title), screenplay by Marie Kreutzer (Witcraft) Wirtshaus (working title), screenplay by Gideon Koval (Witcraft) Draken (working title), screenplay by Dirk Meints and Toni Weiss (as Development Supervisor for Frames Film) Sisters (working title), screenplay by Andrea Eckert and Georg Fischnaller (as Script Consultant for Fischer Film) Viyana (working title), screenplay by Max Gruber and Asli Kislal (as Script Consultant for Satel Film)
As Producer (Development & Production): 2008 Gangster Girls, documentary ⎪ directed by Tina Leisch ⎪ concept and production together with Tina Leisch Premiered at Viennale 2008 ⎪ Vienna Film Prize: Special Mention 2006 Kotsch, feature film ⎪ directed by Helmut Köpping ⎪ written by Gregor Stadlober ⎪ Lotus Film ⎪ Festival participations in Moscow ⎪ Golembohemia a.o. ⎪ Carl Mayer Script Award 2005 Das Tor zur Hölle (8x45), TV feature film ⎪ directed by Max Gruber ⎪ Lotus Film ⎪ Golden Chest Festival Plovdiv ⎪ Best Director 1998 Beyond the Ocean, feature film ⎪ shot on location in USA & Russia ⎪ D: Tony Pemberton ⎪ GoEast Production ⎪ Sundance International Film Festival (competition) ⎪ etc
As Production Manager ⎪ Line Producer: In production: American Passages (working title), documentary by Ruth Beckermann (Ruth Beckermann Filmproduktion) 2004 Calling Hedy Lamarr, documentary ⎪ directed by Georg Misch ⎪ Mischief Film ⎪ Festival participations in Locarno (special mention) ⎪ Saarbrücken, etc 2001 Kronenzeitung - Tag für Tag ein Boulevardstück, documentary ⎪ directed by Nathalie Borgers ⎪ Navigator Film ⎪ Festival participations in Nyon ⎪ Prague ⎪ etc 1999 Die Jungfrau, (The Virgin) feature film ⎪ Nanook Film ⎪ shot on location in Egypt and Greece ⎪ D: Diego Donnhofer ⎪ Festival participations in Toronto ⎪ Berlin ⎪ Jerusalem, etc Luna Papa, feature film ⎪ shot on location in Tadjikistan ⎪ directed by Bakhtiar Khoudojnasarov ⎪ Pandora Film ⎪ Prisma Film NTV-Profit ⎪ Les Films de l'observatoire ⎪ Thomas Koerfer Film ⎪ Tajik Film Venice International Film Festival ⎪ Toronto ⎪ Sundance ⎪ Rotterdam, etc 1998 Sonnenflecken (Sun Spots), short fiction ⎪ directed by Barbara Albert WIN Femme Film Festival USA: Best Short Film ⎪ Regensburg: Special Mention 1996 Die totale Therapie (Total Therapy), Feature film ⎪ directed by Christian Frosch Festival participations in Rotterdam (Audience Award) ⎪ Karlovy Vary ⎪ etc 1996 Frucht Deines Leibes (The Fruit of Thy Womb), Short Fiction ⎪ directed by Barbara Albert. Léopards de demain (Locarno) Ann Arbor ⎪ USA: Best Narrative
In Various Other Capacities 2004 Ragin - Geschichte einer Krankheit (Ragin – History of an Illness), directed by Kirill Serebrennikov ⎪ Production Supervisor Donau ⎪ Dunav ⎪ Dunarea, directed by Goran Rebic ⎪ Location Manager ⎪ Postproduction Supervisor 2001 Lovely Rita, directed by Jessica Hausner ⎪ Executive in charge of production 2000 Auf allen Meeren, documentary ⎪ directed by Johannes Holzhausen ⎪ Location Manager for Russia 1998 Pripyat, documentary ⎪ directed by Nikolaus Geyrhalter ⎪ Researcher Suzie Washington, directed by Florian Flicker ⎪ Script/Continuity 1996 Große Ferien (Big Holidays), directed by Antonin Svoboda ⎪ Assistant Director 1995 Lisa und die Säbelzahntiger (Lisa and the Sabre-Tooth Tigers), directed by Bernd Neuburger ⎪ Pre-Production Manager
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